8-18 maggio 2013
MIFF | 8° Film Festival Internazionale di Milano - Bitter and Twisted / Christopher Weekes / Noni Hazlehurst, Steve Rodgers, Leeanna Walsman, Christopher Weekes, Matthew Newton Bitter and Twisted Noni Hazlehurst, Steve Rodgers, Leeanna Walsman, Christopher Weekes, Matthew Newton

catalogo miff
9a Edizione - 2009 / Lungometraggi
foto film

Christopher Weekes / Australia / 2009/ 86 min
Noni Hazlehurst, Steve Rodgers, Leeanna Walsman, Christopher Weekes, Matthew Newton 

This elegy to unrealized dreams contemplates the dark currents flowing beneath suburban placidity. The Lombard family has been steadily disintegrating since the death of oldest son Liam three years before. The descent is slow and soft, manifesting itself in a personal crisis for each family member. Obese father Jordan is caught in a vicious cycle of depressed overeating, and his boss at the car dealership is threatening to fire him if he doesn't make a sale. Mother Penny harbors a hysterical false hope that she may be pregnant and suffers a rude awakening when she discovers that, on the contrary, she has started menopause. Son Ben is not sure if he is gay or straight, but he knows that he has very strong feelings for the girl across the cul-de-sac-his dead brother's ex-girlfriend-who also happens to be having a tragic affair with a married man. Australian director, Christopher Weekes, remarkably captures the way a family can fold after an unexpected death. He develops the crisis of each family member with an almost clinical precision while keeping the overall tone somewhat dreamy. "This isn't the person I thought I'd become," Penny (Noni Hazlehurst) says as she sits at the side of her husband's hospital bed, and with that she sums up the crisis of each character.

   Bitter and Twisted
   Christopher Weekes 
   Simon Wright 
   Bridget Callow 
   Sam Collins 
   Dolby Digital

foto bio

Christopher Weekes wrote and directed his debut feature BITTER AND TWISTED at 24 years of age in Sydney, Australia. He drew his inspiration from the suburban fringe of Sydney, where he grew up and lived his whole life. He maintains that they’re the real heart of the city although rarely explored in Australian cinema which prefers to set its stories in more familiar cosmopolitan areas. His previous short film credits include THE CHANCE (1998), BEAUTIFUL LILLY (1999) and GEORGE LUCAS & I (2001). As well as writing and directing from an early age, he has worked as a visual artist on many film, television, and commercial productions including THE BOY FROM OZ (2006), HI-5 (2005-2008), PRESERVATION (2004) and DYING BREED (2008).

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